by REMA: RÉSEAU EUROPÉEN DE MUSIQUE ANCIENNE Published November 18, 2024
The lingering effects of the Covid-19 pandemic, the upheaval of global conflict, rising pressure on artists and the arts, the urgency of climate change, the rapid digital transformation and inflation have all left their mark on our activities. To support this changing landscape, REMA is inviting all early-music professionals to contribute to a series of short thematic surveys. These surveys covers key areas such as digital practices, diversity, audience engagement, funding, and sustainability. A special survey targeting promoters and ensembles focuses on the dynamics of concert programming.
Anyone involved in the early music sector, REMA members or not, is welcome to participate. Take the survey.
'It takes bravery to come here.' On a daily basis, air-raid sirens drive everyone into bomb shelters, fearful of the next Russian attack. Yet the second edition of the Kyiv Baroque Festival, in war-ravaged, resilient Ukraine, is scheduled for next month. 'The national ensembles have been designated as "reserve." The government has realized that performances are good for society and important for morale.'
'I very rarely think a program needs projections, because the music speaks for itself,' says Camilla Tassi, a visual projections designer who works with some of the most celebrated ensembles on the American early-music scene. 'But we have to ask ourselves: Who is this performance for? What are we trying to convey?'
Chicago's Bella Voce opens its season with choral music exploring the cultural links between the Americas and the colonial powers of Spain and Portugal. Some of the composers on this enriching program were born in the New World, some were European-born travelers, and a few never crossed the Atlantic but their music did.
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