EMA News Features & Press Releases

Boston Early Music Festival Names New Dance Director

Boston Early Music Festival Names New Dance Director

Patricia Leigh Beaman
In appointing Marie-Nathalie Lacoursière to lead its prestigious dance activities, BEMF has picked a multidisciplinary choreographer, dancer, actor, and musician. She has been 'an invaluable collaborator for many years and is at the top of her field.'
Getting Creative: a New Bach Passion & Vivaldi ‘Seasons’ Opera

Getting Creative: a New Bach Passion & Vivaldi ‘Seasons’ Opera

Anne E. Johnson
Creative artists in early music are hoping to attract new fans by offering more than old music in predictable formations. By design, they break from the status quo, with soap-bubble sets for Vivaldi and Bach in spoken English. Historically informed? 'It’s historically inspired, which is maybe more important.'
Fantasy Camp for Early Music Superfans

Fantasy Camp for Early Music Superfans

Laura Osterlund
Across North America, ensembles are connecting with audiences not just as passive-listening concert-goers but as participants in making music. Give a performance of Renaissance polyphony, but also teach local amateurs how to sing it themselves. 'They will hear it as never before — from within the ensemble.'
On Representation and Joy

On Representation and Joy

Michele Kennedy
Soprano Michele Kennedy writes about two profoundly moving experiences in her musical life. 'For aspiring young musicians, seeing their own image reflected back from the stage can be life-altering.' And, as an artist, 'being that example for others to see...'
In Scenic Southern Oregon, a Baroque Orchestra Thrives

In Scenic Southern Oregon, a Baroque Orchestra Thrives

James Bash
If you know anything about Southern Oregon, it might be for Crater Lake or the Oregon Shakespeare Festival or as an increasingly impressive wine region. But the Jefferson Baroque Orchestra has been going steadily for three decades. Under new leadership, the ensemble is aiming to become one of the leading period instrument groups on the West Coast.
Edmond Dédé, America's First Black Opera Composer

Edmond Dédé, America’s First Black Opera Composer

Patrick D. McCoy
Next Week, New Orleans' OperaCreole and D.C.'s Opera Lafayette collaborate on a world premiere, 138 years after the music was written. Edmond Dédé fled antebellum New Orleans for France, where he was a successful conductor and composer. But his grand, four-act opera "Morgiane" was never performed, till now.
Jamming with Southeastern Early Music Community

Jamming with Southeastern Early Music Community

Lindsey Tootle
Two musicians with Deep South connections recently launched a Facebook group, hoping to encourage the small and far-flung scene. Over the holidays, they came together for the first time in an afternoon jam. Baroque violinist Lindsey Tootle, an Alabama native, sends a session report.
The Big Event for Palestrina 500 is in Grand Rapids

The Big Event for Palestrina 500 is in Grand Rapids

Anne E. Johnson
If you're in Europe, hoping to hear a deluxe celebration of Palestrina's 500th birthday, go to the Duomo in Milan. In North America, the biggest Palestrina 2025 party will be in Grand Rapids, Mich., where an ambitious Catholic church will host a dozen ensembles, from the Tallis Scholars and Gesualdo Six to their own parish choirs -- and all of it sung at regular Mass services.
Deep River Spirituals: America’s ‘Broken Consort’ Songs

Deep River Spirituals: America’s ‘Broken Consort’ Songs

Michael Walker II and Philip Spray
At the 2024 EMA Summit, countertenor Michael Walker II, viol player Philip Spray, and Alchymy Viols gave a presentation called 'Deep River.' One day, while rehearsing a famous spiritual, writes Walker, 'it reminded me of the viola da gamba in its ability to convey both sadness and joy.'
Take REMA/Early Music in Europe's New Survey

Take REMA/Early Music in Europe’s New Survey

REMA: RÉSEAU EUROPÉEN DE MUSIQUE ANCIENNE
REMA, the European Early Music Network, has launched a survey to learn how the global early-music sector has adapted and evolved in 2024, from finances to programming. Although most REMA members are in Europe, some are North American-based, and the survey is open to everyone in the field and responses are anonymous.

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