by EMA Staff
Published December 18, 2023
As 2023 comes to a close, check out EMA’s 10 most popular features and reviews from the world of early music. For more news, profiles, and ideas, subscribe to EMA’s weekly E-Notes newsletter.
#10
Canto: Toward a Rebirth of Renaissance Choral Repertoire
Why is Renaissance choral music mostly absent in U.S. schools? From an emphasis on living composers and ‘vertical’ harmonies to choral directors themselves unfamiliar with the repertoire, there’s a lot to discuss.
A choir director asks the questions and offers possible solutions.
#9
21st Century Baroque
Meet Nuova Pratica, a stylish ensemble with a progressive-retro attitude. They reject the notion that everything’s already been said in the Baroque language. By re-opening the book on Baroque composition, their new works are at turns fresh, varied, and imaginative.
#8
250 Years Ago, a Black Composer Etched Anti-Racism into his Music
Likely born into slavery, working as a butler and shopkeeper, Ignatius Sancho became an accomplished writer and composer. Embedded in his published music, the author argues, are anti-racist ideals that rejected British cultural norms.
#7
The 10 Hosting Commandments
With the season in full swing and the holidays fast approaching, it’s a good time to revisit one of the most-read EMA stories of 2023. First published in January, it’s a top-10 list of “home stay” dos and don’ts. An early-music host shares his tips for making a home stay easy and low-stress for everyone. Share it with anyone who invites musicians into their house…and traveling musicians will be grateful.
#6
Hearing New Sounds from Very Old Instruments
There’s much to learn about period instrument via the sounds they’re capable of making. Composers today are exploring the edges of historical performance practice in fresh and unexpected ways.
#5
A Mystery Instrument of Old New England
It was hidden for more than a century in the basement of an old house. The instrument’s discovery offers important hints about a forgotten history of New England ensemble string playing.
#4
Period Instruments? Yes. Period Costumes? Uh…
Are clothes of the period part of a historically accurate performance? Opinions vary about what constitutes an acceptable period outfit, but advocates of historical attire in early music have one thing in common: They believe the costume helps enrich the music’s context.
#3
Early Music Rocks the Video Game Universe
Video games generate more revenue than the movie industry, and many games are set in ‘legendary times’ that cry out for an early music soundtrack. As technology improves, many games employ early music not just as background but as element of play.
#2
The Unmistakable Sound of Thomas Dunford
The French-American lutenist is on an unstoppable rise to the top of the international early-music scene.
#1
CANTO: Let’s Talk About the English Choral Tradition
“Historically, the shorthand way of achieving an ‘English sound’ has been to ask singers to ‘straighten that out,’ which can often lead to physical tension, fatigue, burn out, and resentment. The word ‘straight’ has been so overused and developed such a reputation that it fills many singers with indignation…”
Recent EMA Features
Take REMA/Early Music in Europe’s New Survey
REMA, the European Early Music Network, has launched a survey to learn how the global early-music sector has adapted and evolved in 2024, from finances to programming. Although most REMA members are in Europe, some are North American-based, and the survey is open to everyone in the field and responses are anonymous.
Kyiv Baroque Festival, Symbol of Resistance
'It takes bravery to come here.' On a daily basis, air-raid sirens drive everyone into bomb shelters, fearful of the next Russian attack. Yet the second edition of the Kyiv Baroque Festival, in war-ravaged, resilient Ukraine, is scheduled for next month. 'The national ensembles have been designated as "reserve." The government has realized that performances are good for society and important for morale.'
Concert Projections as ‘Visual Continuo’
'I very rarely think a program needs projections, because the music speaks for itself,' says Camilla Tassi, a visual projections designer who works with some of the most celebrated ensembles on the American early-music scene. 'But we have to ask ourselves: Who is this performance for? What are we trying to convey?'
