Battle of the Bands
In Texas, the competitive spirit pervades everything, even the arts and its funding. Can early music make the cut, and thrive?
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Who’s Invited to Early Music? A Mother’s Take on Audience Inclusivity
Navigating the pandemic with a toddler in tow, the author had few problems in public spaces — till they were kicked out of an early-music concert.
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Instrument Makers with Pluck
There are more makers, repairers, and restorers of harpsichords and clavichords in North America than one might expect. A number of these experts were happy to share their philosophies on instrument making.
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Viols to Virginia, Music in Colonial America
The only known extant works for viola da gamba in British Colonial America are found in the James River Music Book, a manuscript that has resided in Virginia since the 1730s and contains 15 works for solo viola da gamba, among other musical items. The earliest layer of the JRMB holds music by Lully, Purcell, and Handel, nearly doubling the page count of surviving instrumental music from the period and contributing repertoire for viola da gamba, organ, harpsichord, violin, and voice to the music now known to have been played in colonial Virginia. This article was first published in the May 2020 issue of EMAg.
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Nurturing a Love for Early Music
Amherst Early Music and the Oberlin Baroque Performance Institute have long embraced musicians ranging from enthusiasts to professionals. These two programs, similar in many regards, serve a range of abilities and interests, and both of them got their start a half a century ago.
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