The festival will mark its 50th-anniversary season with a host of enticing programs. “If music be the food of love, play on,” begins the most famous opening speech in Shakespeare. The line also supplies the title for the concert that will launch the 50th-anniversary season of Indianapolis Early Music’s Early Music Festival. The opening event […]
Indianapolis Early Music Goes Gold Read More »
A recent press trip to Israel piqued my interest in that fascinating country’s early-music scene. Israel is at once ancient and new, like so much of what we are trying to do in our field, and I was curious about the history of the early-music revival, the active and retired performers and teachers, and the
The admired a cappella ensemble bids the world farewell after three decades of radiant artistry. Sunday morning, August 3, 1986. The Upper West Side of Manhattan had been deserted by anyone who could get away, and not many showed up on West 99th Street at St. Michael’s Episcopal Church, where four of us—two choir members
Anonymous 4: Appearing and Disappearing Read More »
Conductors with roots in early music are taking their expertise to symphony orchestras. There was a time, not so long ago, when modern performers tended to be wary of the early-music movement. Often, these two musical communities stood with their backs to each other, separated by a chilly silence. And occasionally a war of words
Spreading the Gospel: Period Style for Modern Performers Read More »
Many people think a peace treaty was signed after the vibrato wars of the 1970s, when the plush string textures of the modern symphony orchestra were challenged by the leaner sound of historical instruments. Eliminating vibrato, along with playing on gut strings, was the most noticeable mark of historically informed performance style. Before it was even called HIP, employing “authentic instruments” set early-music players apart from symphony orchestras, and singing with a pristine, boy-like sound marked a new vocal coloring.
