The Handel and Haydn Society, absent from the Boston Symphony’s summer home since 1997, will perform Purcell’s “The Fairy-Queen” on Aug. 9, with artistic director Harry Christophers conducting and his daughter, “Game of Thrones” actress Antonia Christophers, narrating.
H+H Returns To Tanglewood With Purcell Read More »
Anyone unfamiliar with the festival might be surprised to learn that its programs also encompass a healthy dose of 19th, 20th, and even 21st-century works. Put simply, Bach is the foundation, but the festival builds a musical house on him of many colors, styles, and periods.
Carmel Bach Festival Performs Balancing Act Read More »
As answered by The Rose Ensemble founder and Artistic Director, Jordan Sramek. After 20 seasons, how does The Rose Ensemble keep its programming ideas fresh? One of the things for which The Rose Ensemble has been recognized is our keen sense of programming: how we use early music to provide audiences with fresh perspectives on history,
Center Stage, July 2017: The Rose Ensemble Read More »
The secret of the Boston Early Music Festival’s success is an ensemble framework that radiates from the centerpiece opera. “Le Carnaval de Venise” by André Campra provided not only a thematic focus for the festival but also the structural resources for many of its other events.
BEMF Animates Campra Opera-Ballet And More Read More »
A highly dedicated and resourceful senior nonprofit leader with broad experience, Felter initiated and implemented many critical updates during her tenure including the hiring of a new magazine editor, the re-design of EMAg, The Magazine of Early Music America, and a much-improved re-designed website with integrated database. Other significant projects included the launch of Early Music Month and MeetUps.
Ann Felter, Executive Director of EMA, To Step Down Read More »
