The members of Ensemble Correspondances seem to get everything right in Charpentier’s La Descente d’Orphée aux Enfers: easily swinging inégales, perfectly weighted appogiature, crisp articulation of text, and overall dramatic impersonation.
French Ensemble Scales Heights in La Descente Read More »
Anyone unfamiliar with the festival might be surprised to learn that its programs also encompass a healthy dose of 19th, 20th, and even 21st-century works. Put simply, Bach is the foundation, but the festival builds a musical house on him of many colors, styles, and periods.
Carmel Bach Festival Performs Balancing Act Read More »
The Choir of St. Luke in the Fields has taken the rather refreshing approach of presenting the Mass in toto, instead of interspersing the other motets in between its movements.
Manchicourt Mass Makes Recording Debut Read More »
The works Piffaro has chosen for this journey through German and Franco-Flemish music gives the artists myriad opportunities to revel in the diverse colors their instruments lavish on 38 brief and varied selections.
Piffaro Invigorates Wind Music Leading To Bach Read More »
As answered by The Rose Ensemble founder and Artistic Director, Jordan Sramek. After 20 seasons, how does The Rose Ensemble keep its programming ideas fresh? One of the things for which The Rose Ensemble has been recognized is our keen sense of programming: how we use early music to provide audiences with fresh perspectives on history,
Center Stage, July 2017: The Rose Ensemble Read More »
