Why I Play Early Music
Baroque cellist Emily Davidson talks about why she plays early music and how she fell in love with historical performance practice in a new video from her successful YouTube channel.
Why I Play Early Music Read More »
Baroque cellist Emily Davidson talks about why she plays early music and how she fell in love with historical performance practice in a new video from her successful YouTube channel.
Why I Play Early Music Read More »
When the Boston Early Music Festival needed advice on how to revive the French Baroque opera Le Carnaval de Venise for its 2017 season, the artistic directors turned to Cornell musicologist Rebecca Harris-Warrick.
Musicologist Revives Dance In French Baroque Opera Read More »
We are looking to inspire the next generation of early music performers and listeners. As one student remarked, “I want to do what you’re doing when I grow up!” We share this hope.
Bach Society Houston Puts Bach In Schools Read More »
At a time when our country feels so divided, we musicians are fortunate in being able to bring people together and to provide respite and sustenance. The students just want to keep doing more. Their top question for us after the concert: “So, what are we doing next week?”
Baltimore Baroque Band: An Ensemble Grows Read More »
In three sentences, Arthur Ashe assures us that everyone can learn and everyone can grow — every single one of us, without exception — and what’s more, he tells you how to do it.