You might have come across the composer, singer, and harpsichordist Elisabetta de Gambarini (1731-1765) from music history books, but until now there’s not been significant recordings of her work. Now Margherita Toretta, a pianist, has brought together all Gambarini’s known keyboard pieces on one disc.
Elisabetta de Gambarini, Obscure No Longer Read More »
Across North America, ensembles are connecting with audiences not just as passive-listening concert-goers but as participants in making music. Give a performance of Renaissance polyphony, but also teach local amateurs how to sing it themselves. ‘They will hear it as never before — from within the ensemble.’
Fantasy Camp for Early Music Superfans Read More »
In early 18th-c. Britain, a competition to help promote opera in English led to a surprise winner. John Weldon’s ‘The Judgment of Paris,’ recorded for the first time by the Academy of Ancient Music, boasts colorful orchestration, clever choral writing, and rapturous music.
And the Winner is…John Weldon’s ‘The Judgment of Paris’ Read More »
Where’s the boundary between ‘folk’ and ‘art’ when it comes to early music? Does it matter? Joyously muddled, The Curious Bards’ latest recording, ‘Sublimation,’ is a ‘trad’ album with early-music nuance, an early-music album with folk energy.
Wild Fun: Scandinavian Art-Folk Early Music Read More »
Soprano Michele Kennedy writes about two profoundly moving experiences in her musical life. ‘For aspiring young musicians, seeing their own image reflected back from the stage can be life-altering.’ And, as an artist, ‘being that example for others to see…’
On Representation and Joy Read More »
