‘I very rarely think a program needs projections, because the music speaks for itself,’ says Camilla Tassi, a visual projections designer who works with some of the most celebrated ensembles on the American early-music scene. ‘But we have to ask ourselves: Who is this performance for? What are we trying to convey?’
Concert Projections as ‘Visual Continuo’ Read More »
A new, complete recording of Alessandro Stradella’s 1673 biblical oratorio ‘Ester’ looks deeper than its Italian Counter-Reformation inspiration and goes back to the story’s Jewish roots, centered on themes of resistance and survival owing to one woman’s courage. Camerata Grimani and its strong Italian and American cast perform with rhetorical flair and, refreshingly, a Mediterranean sense of expression.
Jewish Heroism, Italian Oratorio Read More »
Italian composer and Franciscan friar Lodovico Viadana, born c. 1560 near Mantua, was a pioneer in the new expressive monody in church music. The Viadana Collective makes its stunning recording debut with music from their namesake’s ‘Centum sacri concentus ab una voce sola,’ codifying the sound of solo voices with instrumental accompaniment.
Going Solo with Viadana Read More »
Chicago’s Bella Voce opens its season with choral music exploring the cultural links between the Americas and the colonial powers of Spain and Portugal. Some of the composers on this enriching program were born in the New World, some were European-born travelers, and a few never crossed the Atlantic but their music did.
Musical Riches from Iberia and the Americas Read More »
Earlier this year, Peruvian violinist Jimena Burga Lopera, a student in Juilliard’s Historical Performance program, went on tour with the J415 ensemble to Bolivia’s International Festival of Renaissance and American Baroque Music known as “Misiones de Chiquitos.” In this essay, she writes about the festival and her eye- and ear-opening experiences.
Juilliard415 en Bolivia: música barroca de la vida diaria (en español) Read More »
