A doctoral student at the Sorbonne is studying acoustic heritage related to music by the Notre-Dame School of composers, part of a larger project on the sonic history of Notre-Dame Cathedral. This is an invitation to participate in a web-based study that examines the reception of medieval vocal music in varying performance spaces.
Calling All Medievalists Read More »
Aryeh Nussbaum Cohen is perhaps on the fastest track among American countertenors. His ‘rich, gender-ambiguous tone is otherworldly,’ wrote one critic. We’ll meet the rising star, who sings a program titled Countertenor Fireworks, later this week in Philadelphia.
From Karaoke to Handel, a Countertenor’s Path Read More »
Barokkbandið Brák’s multifaceted artistic vision is the real deal. The Icelandic period-instrument ensemble cultivates a dual-pronged musical practice—Renaissance and Baroque works combined with contemporary commissions. Their playing is refined, their vision thoroughly compelling.
Recording Review: Icelandic Baroque Band Brák, Where HIP is Always in Style Read More »
Billed as the first complete recording of William Byrd’s final work, his ‘Psalmes, Songs, and Sonnets,’ this new release features two outstanding British ensembles, The Sixteen and Fretwork.
Recording Review: William Byrd from The Sixteen and Fretwork Read More »
Voices, viols, virginals, and more. Northwestern’s William Byrd Festival starts this week, a rare chance to hear lectures and performances. We speak with the festival artists and scholars about the versatile composer.
Exploring William Byrd’s Profound Legacy Read More »
