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Book Review: Exploring a Missing Link in Medieval English Motets

EMA Book Reviews, News

Two damaged fragments of parchment, circa 1300, have an amazing story to tell. The Dorset rotulus, a scroll of music, helps flesh out a 400-year gap in our knowledge, adding new insights into the development of the medieval English motet. And for anyone looking for new early English material available for performance, the book will be an excellent resource.

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CD Review: Where Singers Are Their Own Accompanists for Expressive Power

EMA Recording Reviews, News

This fantastic new disc, the Concerto di Margherita’s debut recording, includes an array of madrigals, arias, and villanelles for two to five voices, interspersed with instrumental works. The quality of the vocal production throughout is top-notch, and it is matched by that of the instruments, which shine as much in their various accompanying roles as in the standalone instrumental works.

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Introducing EMA’s Young Performers Festival and Emerging Artists Showcase

EMA Features, News

Early Music America’s Young Performers Festival and the Emerging Artists Showcase presents some of the most talented and inspiring musicians in North America, this year June 8 – 10, as part of the Berkeley Festival & Exhibition (BFX), which runs a full week starting June 5. The festivities begin with Virtual Showcase on June 1 & 3 via YouTube.

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Virtual Review: Delightful ‘The White Cat’ fairy tale from Les Délices

EMA Features, News

Fairy tales may seem like an unlikely source for a tragédie lyrique. But Cleveland-based Les Délices, in a newly created production of ‘The White Cat,’ combines the two genres with arresting results. Based on a 1698 fairy tale by the pioneering Madame d’Aulnoy, the English-language opera weaves a story about the virtues of friendship, loyalty, and love through puppets and a pastiche of French Baroque favorites by Lully, Couperin, and other composers.

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