“As long as I can remember, inclusion has been an important focus, but it’s come much more to the fore recently,” says cellist Kenneth Slowik, director of both the Smithsonian Haydn Academy and the Oberlin Conservatory’s Baroque Performance Institute.
Two Early Music Programs Embrace Change And Inclusion Read More »
Having ambitious projects devoted to Ockeghem and De Rore come to fruition in the same year is a feast for doting fans and newcomers alike. Both are landmark recordings.
CD Review: Blue Heron Soars On Two Recordings Read More »
For her recorded debut, the American violinist performs works from the French composer’s Opus 1 sonatas and comparatively lighthearted trio symphonies.
CD Review: Alana Youssefian Enchants In Music Of Guillemain Read More »
As the only English-language resource of its kind, Steve Zohn’s excellent book should be considered a long overdue and much welcomed addition for libraries and anyone with an interest in 18th-century music.
Book Review: Collection Abounds In Telemann Topics Read More »
American soprano Kathryn Mueller’s first solo recording focuses on music’s most basic subject and three of the Baroque era’s best-known composers.
CD Review: Intimate Songs In Assured Interpretations Read More »
