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Published March 7, 2016
Click to read the Spring 2016 Issue (must be logged in to view content). On The Cover: “A recent press trip to Israel piqued my interest in that fascinating country’s early-music scene. Israel is at once ancient and new, like so much of what we are trying to do in our field, and I was curious about the history of the early-music revival, the active and retired performers and teachers, and the challenges facing musicians and presenters today.” -Judith Malafronte
Recent EMA Features
Kyiv Baroque Festival, Symbol of Resistance
'It takes bravery to come here.' On a daily basis, air-raid sirens drive everyone into bomb shelters, fearful of the next Russian attack. Yet the second edition of the Kyiv Baroque Festival, in war-ravaged, resilient Ukraine, is scheduled for next month. 'The national ensembles have been designated as "reserve." The government has realized that performances are good for society and important for morale.'
Concert Projections as ‘Visual Continuo’
'I very rarely think a program needs projections, because the music speaks for itself,' says Camilla Tassi, a visual projections designer who works with some of the most celebrated ensembles on the American early-music scene. 'But we have to ask ourselves: Who is this performance for? What are we trying to convey?'
Musical Riches from Iberia and the Americas
Chicago's Bella Voce opens its season with choral music exploring the cultural links between the Americas and the colonial powers of Spain and Portugal. Some of the composers on this enriching program were born in the New World, some were European-born travelers, and a few never crossed the Atlantic but their music did.
