by REMA: RÉSEAU EUROPÉEN DE MUSIQUE ANCIENNE Published November 18, 2024
The lingering effects of the Covid-19 pandemic, the upheaval of global conflict, rising pressure on artists and the arts, the urgency of climate change, the rapid digital transformation and inflation have all left their mark on our activities. To support this changing landscape, REMA is inviting all early-music professionals to contribute to a series of short thematic surveys. These surveys covers key areas such as digital practices, diversity, audience engagement, funding, and sustainability. A special survey targeting promoters and ensembles focuses on the dynamics of concert programming.
Anyone involved in the early music sector, REMA members or not, is welcome to participate. Take the survey.
Across North America, ensembles are connecting with audiences not just as passive-listening concert-goers but as participants in making music. Give a performance of Renaissance polyphony, but also teach local amateurs how to sing it themselves. 'They will hear it as never before — from within the ensemble.'
Soprano Michele Kennedy writes about two profoundly moving experiences in her musical life. 'For aspiring young musicians, seeing their own image reflected back from the stage can be life-altering.' And, as an artist, 'being that example for others to see...'
If you know anything about Southern Oregon, it might be for Crater Lake or the Oregon Shakespeare Festival or as an increasingly impressive wine region. But the Jefferson Baroque Orchestra has been going steadily for three decades. Under new leadership, the ensemble is aiming to become one of the leading period instrument groups on the West Coast.
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